Besoms & Brooms
Sweeping with birch, heather, and other twiggy shrubs

When you stop and think about it, you probably realise that brooms got their name because they used to be made of branches of broom, a yellow-flowering shrub - except when they were made of birch or heather. Many other shrubby plants have been used across the world for sweeping and brushing. Tie a bundle of good local twigs together,

with a tight, narrow grip at one end, and you can whisk dirt away. If you attach the broom to a broomstick, so much the better.

Besom is an even older name for these cleaning tools than broom, though both names go back many centuries. Broom

(cytisus pictured bottom right) and other plants like heather (broom pictured right) and furze that grew on open land were popular for besoms in parts of Britain,

while birch was a mainstay, especially in more wooded areas. Birch was used across Europe: in Switzerland, for example, and in Romania. (See picture left)

Birch brooms were popular in some industrialised countries, for some purposes, well into the 20th century. In England they were not only valued by rural people

who wanted cheap brooms, but were also in demand for sweeping leaves off the lawns of stately homes, and for clearing waste away in steel mills.

In North America besoms died away relatively early. Around 1800 the corn broom started to take over: well-suited to a landscape with space to grow lots of broomcorn (sorghum). Not so in Britain. The UK's 19th century "new broom" was the bass-broom. Bass meant plant fibres of various kinds, especially palm fibres, imported from distant parts of the British Empire. The fibre "bristles" were inserted

into the familiar shape of wooden brush head on wooden handle.

Broom-making was generally thought of as a man's job in Europe, often but certainly not always a Romany gypsy craft.

(Confirmed by this article on brooms in south-eastern Europe - a must-read for anyone interested in plants used for broom-making.)

But England had some women in the trade, outside the main birch-broom areas where male "broom squires" were predominant.

Thomas Hardy's Return of the Native includes a woman besom-maker, and so does a popular 19th century bawdy song. (See excerpt in left-hand column)

Gertrude Jekyll, the garden designer, bought "four dozen birch and two dozen heath" brooms a year, presumably for her staff. She paid three shillings

and sixpence for a dozen birch brooms, and less for heath: half a crown a dozen. She also took an interest in how they were made. Just after 1900

she photographed the woman above, and described the traditional craft, as practised in southern England at that time:

The birch spray is not used fresh. It is put aside to dry and toughen for some months. Then they 'break birch for brooms'.

A faggot is opened and the spray is broken by hand to the right size and laid in bundles. Breaking birch is often women's work.

The 'bonds' that fasten the spray on to the handle are of hazel or withy, split and shaved with the knife into thick ribbons.

They are soaked in water to make them lissom. There is usually a little pool of water near the broom-maker's shed, where the bonds are soaked.

The broom-squarer gathers up the spray round the end of the stick, sitting in front of a heavy fixed block to which the further end of a bond is made fast.

He pushes the near end of the bond into the butts of the spray, nearly at a right angle to the binding. He then binds by rolling the broom away from him, pulling tight as it goes. When he has bound up to the length of the bond, the butt is released and pushed into the work.

Heath brooms have two bonds; birch, which are much longer, have three. A hole is bored between the strands of spray and through the stick.

The rough butts are then trimmed off, and the broom is complete.

Gertrude Jekyll, Old West Surrey, 1904